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RICCI, Sebastiano
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| Italian painter, Venetian school (b. 1659, Belluno, d. 1734, Venezia).Painter and draughtsman. He painted light and colourful religious, historical and mythological subjects with a fluid, painterly touch. His rediscovery of Paolo Veronese, whose settings and costumes he borrowed, was important to later Venetian painters. Sebastiano was an itinerant artist, celebrated throughout Europe. | ||||
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Hercules at the Crossroads new3/RICCI, Sebastiano-644489.jpg Painting ID:: 29983 |
mk67 Oil on canvas 25 9/16x15 3/16in Uffizi, | ||
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Albrecht Durer
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| b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. | ||||
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Hercules at the Crossroads new16/Albrecht Durer-792674.jpg Painting ID:: 42351 |
mk168 323x223mm | ||
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Giovanni Baglione
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| (1566 - 30 December 1643) was an Italian Late Mannerist and Early Baroque painter and art historian. He is best remembered for his acrimonious involvement with the artist Caravaggio and his writings concerning the other Roman artists of his time. A pupil of Francesco Morelli, he worked mainly in Rome, initially with a late-Mannerist style. He was also nicknamed Il Sordo del Barozzo. | ||||
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Hercules at the Crossroads new24/Giovanni Baglione-647999.jpg Painting ID:: 82572 |
Hercules at the Crossroads, Oil on canvas, 132 x 137 cm, National Gallery of Slovenia, Ljubljana Date 1640 to 1642 cjr | ||
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